musings from the studio and beyond ~
dawn chandler’s reflections on art and life. . . .
7.22.13 ~ late morning, urraca mesa
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| late morning ` urraca mesa ~ by dawn chandler ~ oil and mixed media on panel (en plein air) ~ 6 x 12 inches ~ copyright dawn chandler 2013 |
I was so pumped from my early morning painting excursion trying to capture the Tooth and Trail Peak, that when I got back into BaseCamp that morning, I decided to keep at it! Here’s just behind the Philmont Museum, looking south to Urraca Mesa. The clouds can’t seem to decide whether they’re coming or going.
I painted this on one of my “word panels”; a panel on which I’ve glued words and phrases. In this case (as with all the paintings in this series) the words come from Rpbert Service’s poem, The Call of the Wild. If you look carefully, you can just make out some of the words bleeding through
7.21.13 ~ sunrise lights the tooth of time (philmont)
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| sunrise lights the tooth of time (philmont) ~ by dawn chandler ~ oil on panel (en plein air) ~ 6 x 12 inches ~ copyright dawn chandler 2013 |
I admit: It was pretty glorious to be standing before the the Tooth in the first light of morning, breathing in the sparkling clean after-rain air, working my palette knife frantically trying to capture the color and light before it all changed in a moment….
Here, Wednesday morning 17 July 2013.
07.20.13 ~ morning light on trail peak
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| morning light ~ trail peak ~ by dawn chandler ~ oil on panel (en plein air) ~ 8 x 10 inches ~ copyright dawn chandler |
One good thing about rainy weather out here, is that sometimes the clouds break. When that happens in the early morning, you can get some lovely rosy light and interesting tattered shapes in the clouds. I caught this when perched on the Cattle Headqurters’ overlook early Wednesday morning.
Funny, in all my years staring at this mountain, I’ve never climbed it.
How about you Philmont readers? Anyone climb Trail Peak?
7.16.13 ~ of glorious rain and paint
On Monday morning the Ranch awoke to rain. When was the last time that happened? No one could remember. The color of the day was grey, but few of us “old timers” were complaining; after five months of record drought, it was the most gorgeous, wet, shade of grey a person had ever seen.
The rain continued all morning, with only occasional breaks. I headed up to the lookout above Cattle Headquarters during one of them, and attempted to capture the look of Urraca Mesa engulfed in the clouds, my paint box sitting on the hood of my car.
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| rain consuming urraca mesa ~ by dawn chandler ~ oil on panel (en plein air) ~ 9 x 11 inches ~ copyright dawn chandler 2013 |
While up there, a Philmont vehicle pulled over to see what I was doing; it turned out to be Philmont’s Ranch Manager, Bob Rickleffs. Good to catch up and share impressions of the rain. We agreed that “back in the day” (1980s) the rain always seems to move in and settle for at least a few days straight each July. The kind of rain where you’d wake up and fall asleep to rain. But we haven’t seen that kind of rain in years, maybe even decades. Indeed, when I drove through Colfax County just ten days ago, the grass in the plains wasn’t even brown, it was white, parched the pallor of death.
And here now, overnight, the grass had turned green again. A deep, lush, verdant, velvety green. Astounding.
By afternoon the rain had pretty much subsided, though the clouds still threatened, and by evening I was back out painting off the hood of my car, this time on the road in front of the Villa.
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| evening west across the pasture ~ by dawn chandler ~ oil on panel (en plein air) ~ 8 x 10 inches ~ copyright dawn chandler |
7.15.13 ~ artist in residence at philmont scout ranch
How blessed am I?!
Arrived at Philmont Scout Ranch Sunday for my week of being an “Artist in Residence.” This is in conjunction with the Gift of Inspiration exhibit currently on display at the Philmont Museum, that highlights the art of former Philmont staff. The Ranch has graciously provided me with room and board for the week and in return I am “doing my art thing” and interacting with participants.
With my little Subaru packed to the gills, I unloaded quantities of art and supplies and set up a makeshift studio in the covered alcove behind the museum.
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| Setting up [painting!] shop at the Philmont Museum. |
Because my painting Have You Gazed… in the exhibit is of mixed media, that’s what I’m working on while camped in the alcove. This way people can get a sense of how my big painting was made. When not working on mixed media at the picnic table, I’m out and about at the Ranch, painting en plein air — as I did Sunday night after dinner, under the portico of the Villa. Here’s a quick (c. 1 hour) painting of the view looking west, with rain clouds building for what was to become an epic overnight storm.
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| Evening View from the Villa Portico ~ by Dawn Chandler ~ oil on panel (en plein air) ~ 8 x 10 inches |
While focusing on this painting, I was mildly aware of people gathering a few feet behind me, in the assembly hall. Soon I was sharing quite a large audience with the Philmont Training Center’s opening campfire ceremony that was forced inside due to the threat of rain. At one point a young girl came out and inquired as to my name, and when I told her, she proudly announced, “We have TWO of your paintings!” She went back and fetched her mom, who, it turns out, discovered my art online last summer and, after a lovely email exchange did, indeed, buy two of my paintings! What an unexpected pleasure to meet one of my patrons in person — and under such cool circumstances.
I love this place!