musings from the studio and beyond ~
dawn chandler’s reflections on art and life. . . .
why I’m leaving ~ tell me what else I should have done?

Tell me what else I should have done?
Doesn’t everything die at last, and too soon?
Tell me what it is you plan to do
with your one wild and precious life?
These words of Mary Oliver’s have been swimming around in my mind and on my tongue of late. So much so that they’ve become a bit of a prayer — which is ironic because a few lines earlier in the poem she says
I don’t know exactly what a prayer is
She follows that with
I do know how to pay attention, how to fall down
into the grass, how to kneel down in the grass,
how to be idle and blessed, how to stroll through the fields.

In addition to this diet of prayer, I’ve been crunching some numbers….
They say the average user spends about 30 minutes each day on FaceBook and closer to an hour each day when you add up all of the apps and platforms of the vast FaceBook ecosystem.
I don’t remember when I joined FaceBook, but I know I was an active user while still living in Taos — so let’s go with 2008.
That’s 12 years — over a decade. Twenty-percent of my life I’ve been a FaceBook user.
Let’s say I’ve used FaceBook only half as much as the average user. So rather than being on there every day, let’s say I’m on there half of the days of the week: 3 – 4 days, or 3.5 days per week.
So that means every-other day or so I check in on FaceBook. I tell myself it’s to see how my friends and family are doing. But that’s really kind of a half-truth, since what most of us broadcast on FB is cursory to the real depth of our lives.
If I’m really going to be honest with myself, I’m logging in in hopes of approval pings.
And then, because FaceBook is brilliantly engineered to be an addictive slot-machine of ego-stroking and distraction, those “few minutes” I was going to spend have turned into 20 or more.
Give into the addiction two or three times per day, and I’ve just pissed away an hour of my day.
Do that 3 – 4 days per week, and that adds up to about 14 hours per month.
168 hours per year.
2,016 hours in 12 years.
String those hours together and that’s 84 solid continuous days of my life — almost 3 months.
Let’s add in a little sleep there — say 8 hours per day — and string together those days of continuous use, as though I were on FaceBook just during the 16 non-sleeping hours per day.
That’s over four months of my attention directed continually on FaceBook.

Four months of my wild and precious life.
And remember, for the “average” user that number is closer to EIGHT MONTHS
To what end?
What might I have done with those months of my life?
What paintings might I have created?
What adventures might I have had?
What trails might I have explored?
What books might I have read?
What letters, what poems, what essays might I have written?
What lengthy, thoughtful conversations might I have had? What listening might I have done?
What deep reflection might I have pondered?
What chords might I have learned?
What language might I now be speaking?

How we spend our days is, of course, how we spend our lives.
~ Annie Dillard

More important, what will I do with the next four months of life?
And the next four months?
And the next?
I don’t know, but what I do know is that I don’t want to give over anymore of my wild and precious life to FaceBook.
This hasn’t been an easy decision. If it had been, I would have made it ages ago with my first sense of FaceBook malaise.
What makes it hard is that I have occasionally derived some pleasure from FaceBook. I’ve made a few friendships; I’ve enjoyed some quips and laughs, some amusing and interesting exchanges; I’ve been exposed to some real beauty in the way of art and photography, writing and music.
I’ve expanded the audience for my art and have even sold some paintings as a direct result of being on FaceBook.

But even with all of that, I can no longer ignore the sense of malaise, the undercurrent of regret every time I log out that I could have directed my attention more richly, more substantively.
It’s a little scary deciding to walk away from FaceBook. There’s the worry of losing friendships. But really, the true friendships will endure no matter what, and the dross will fall away. In fact, I think leaving FaceBook will help me deepen my truest friendships. For, as artist Jenny Odell has aptly observed, “The convenience of limitless connectivity has neatly paved over the nuances of in-person conversation, cutting away so much information and context in the process.” I want to get back to the nuances of conversations with friends.
No, what’s especially scary is wondering whether or not I can continue to support myself as a self-employed artist without being on FaceBook. Like so many others, the culture has brainwashed me into believing that in order to survive as a business owner and a creative, I need to be on FaceBook; that it’s the only effective way of getting my work out there, expanding my audience, and finding new patrons.
Well, I guess I’ll find out whether there’s any truth to that.

I want to be clear here: I’m by no means a Luddite. I may be giving up FaceBook, but I’m very definitely not giving up technology or the internet. Quite the contrary. Apart from the many “unplugged” interests I want to pursue, online I intend to put more thoughtfulness, creativity and attention into my blog, my website, my Etsy shop and TuesdayDawnings not to mention there’s a whole bunch of online courses I’d love to take.
Also, for the time-being, I’m still on Instagram — though we’ll see for how much longer. My cowardice to cut the cord entirely with social media and pull out of Instagram and FaceBook in one fell swoop points to my nervousness as to whether there’s truth to the argument that you can’t survive as a visual artist in the 21st-century without being on any social media platforms.
So for now I’ll cut out the platform which disturbs me the most, and see if I might be able to work with the other in a minimalist and valuable way. We’ll see if that’s possible.
If it doesn’t’ work out, well then, good riddance. [ UPDATE: I’ve deleted BOTH my FaceBook & Instagram accounts as of 6/20/20. BLESSED FREEDOM!! ]
Meanwhile, to those of you who use FaceBook and find it enriches and brings worthwhile meaning to your life, more power to you. I hope that you may always feel that way about your engagement with it.
But if you, too, have experienced — to quote Jenny Odell again — “a certain nervous feeling of being over-stimulated then unable to sustain a train of thought linger — though it can be hard to grasp before it disappears behind a screen of distraction;” if, like me, you have felt that undercurrent of malaise whenever you log off of FaceBook and consider the minutes and hours of your one wild and precious life, then I’ve a book recommendation for you: Digital Minimalism: Choosing a Focused Life in A Noisy World, by Cal Newport. Put it at the top of your “Must Read” list; listen to it on your next roadtrip — it’s that worthwhile.

All this to say…..
I’ll be deleting my FaceBook account on June 20th — the Summer Solstice.
Not just turning it off for a while. Deleting it. [UPDATE: AND INSTAGRAM, TOO!]
Going forward, if anyone would like to stay in touch and keep tabs on my art and life, here are a few ways to do that:
— Via TuesdayDawnings, my weekly “deep breath of beauty and uplift.”
These are missives of some of the thoughts and words, sights and sounds, inspiration and reflections, creativity and beauty that I notice, gather and create around me.
As writer Cinny Green has put it “TuesdayDawnings is a kaleidoscope of thoughtful and gently provoking offerings that enrich my day.” Though I put hours into creating each issue, I offer TuesdayDawnings for free — my humble effort to try to make the world a better place. Find out more and consider subscribing here.
— Via my blog, Musings from the Studio and Beyond — Dawn Chandler’s Reflections on Art and Life.
This is where I share more long-form reflections, ruminations and stories. For the past few years I’ve been averaging a blog post about once per month, but with newly found time and focus available after dropping FB, I’m looking forward to writing and sharing more here.
— Via my website, www.taosdawn.com
Home to all things Dawn Chandler — my art, my bio, links to my videos, blog, subscriptions and my online shop, [plus the best page on the site, Wilson]. Dive deep here.
— Via my online art gallery store on Etsy
The place to explore and purchase my paintings and prints. Experience my shop here.
In parting, I’d just like to say to those of you on FaceBook who appreciated my posts and made positive or humorous comments or were thoughtful, friendly and kind in any way — Thank you.
And to those of you who have used your own FaceBook account to build bridges rather than walls, who share good humor and thoughtfulness, who have sought to salve rather than a scour, to motivate and inspire rather than incite — Thank you.
Blessings to you all.
May you and yours be safe and secure and healthy.
And may you find deep sources of nourishment and meaning in this, your one precious life.


Thank you for being here and reading my musings.
If you enjoy my posts and know others who might enjoy them too, please feel free to share this.
Meanwhile, find more of my stories, insights and art here on my website, www.taosdawn.com. Peruse and shop for my art here. And please consider joining me for Tuesday Dawnings, my weekly deep breath of uplift, insight, contemplation & creativity.
Thank you again.
Stay safe.
~ Dawn Chandler
Santa Fe , New Mexico

what bloomed for me in the shadow of sadness
The lilac are blooming.
And they’re taking me back again to a May morning some thirteen years ago when a light went out in my life and the long shadow of sorrow moved in.

It was the Thursday before Mother’s Day, 2007. As the first of the sun’s rays broke over the crest of The Canyon, I was at the back of my car cinching my bike to the rear rack in anticipation of a morning ride on the back roads of Taos. While fiddling with my bike, I heard from inside my house the phone ring, followed by the answering machine kicking on. A couple minutes later the phone rang a second time, followed again by the answering machine. I was irritated that people were calling me so early. I finally went inside to check my messages, and scanning through the caller ID I saw that one message was from my brother Mark, the other, from my father.
My heart was suddenly in my throat.
Their messages were short: “Call me when you can.”
My mother had died that morning.
I hardly remember the rest of that day.
Or the days following.
But of the tidal wave of emotions that overtook me, I remember in a moment of grasping that I was grateful, at least, that she died in springtime.
I hoped that in her last days she had seen lilac.
I hoped that as her body crumbled to cancer, she was enveloped in blooming.

The day after Mother’s Day, my brothers, Dad and I were together in my parents’ home, an apartment in a retirement community that they had moved to just five months earlier after selling our family home of 42 years. The apartment, though unfamiliar to us, was sunny, and was situated on grounds that were abloom in spring color and fragrance — lilac among them.
As we consoled each other, my brothers, father and I divided out tasks. Among mine was to plan the memorial.
I hadn’t a clue how to do this.
My mother had left no instructions except a little scratched note we had found among her papers. Something along the lines of “A simple ceremony. Pine wood box. Phil playing Saints.” ** The latter was a reference to her brother, my uncle, Phil Wilson, a talented jazz musician and gifted trombonist who, at their mother’s memorial 20 years earlier, had played When the Saints Go Marching In, one of my Grandmother’s favorites.
Beyond this, we knew nothing of my mother’s wishes.
I decided to try to find a Unitarian minister.
Although my upbringing was decidedly non-religious, my mother, who grew up in New England, had been raised Unitarian. Her mother — my grandmother — was atheist. My grandfather had been simultaneously (!!) the president of Harvard’s student Baptist club as well as the president of the Unitarian club; his own father had been a Baptist minister (who — according to family lore — was fired for daring to suggest that the some of the stories of the Bible be taken as allegorical rather than literal.)
When I was a very little girl, my family attended a Unitarian Fellowship each Sunday, but we stopped going when I was about six years old. Many years later I asked my mother why we had stopped going. “That was during the Vietnam War, and the services had become overshadowed by political discussions.” She said that the services lacked the uplifting spiritual aspect that she had so enjoyed and remembered fondly in the church of her youth.
I looked online and the nearest Unitarian church was an hour north in Summit, New Jersey.
I dialed the number and tearfully spoke with a woman with the warmth of a wise elder. She was the head or lead minister, and she was who I wanted to officiate my mother’s service.
But she was unavailable for any of the dates we wanted.
She recommended their youth minister, a young woman named Emilie.
I felt the sting of disappointment. Knowing nothing about such things, I assumed that we were getting “second best.” Plan B when my mother deserved Plan A. It was out of my power though — as was, seemingly everything right then, and so I took down Emilie’s number.
When she answered the phone I could barely get out a sentence for sobbing so hard.
And yet, If it’s possible to send someone a consoling warm embrace through a phone line, that’s what she did, immediately, without hesitation.
She was free on our hoped for date and would be honored to officiate.
In the meantime she suggested that we come up to the Summit Unitarian church to meet with her and share remembrances of my mother.

A few days later my brothers headed back, briefly, to their respective homes to tend to their families, and my father and I made the hour drive to Summit. There Reverend Emilie greeted us in the sanctuary of her church. The building felt familiar, like it could have been a backdrop to my mother’s New England childhood.
My dad and I sat with her around a small table, and for an hour-and-a-half he and I reflected, often tearfully, trying to convey some concept of who our mother, wife, best friend was. All the while Emilie’s hand was in continual motion over a pad of paper as she took notes.
There was no tape recorder, which remains incredible to me. For the level of detail she accurately gleaned, the deep essence of my mother that she gathered, was stunning.
Some weeks later, when we gathered again, this time with our families and a long life’s worth of friends, Emilie spoke heartily of my mother’s life. It was as though she’d known and understood her well.
Afterward, my father commented to me with deep warmth and appreciation in his voice, “I really like Emilie. I think Mum would have liked her, too.” My thoughts exactly.

Four years later there was no question who to call when my father died.
Although Emilie and I had not spoken in almost half a decade, when I called again and muttered through tears who I was, she voiced immediate, empathetic recognition.
Now it was my brothers and I who would drive an hour north and gather round a small table with Emilie.
Her pen filled pages.
In the coming days as she and my brothers and I all worked on our comments for the memorial, I received a message from Emilie: “Dawn, I just have to say I am in love with your parents!” She expressed regret for never having known my mother, and appreciation in at least being acquainted with my father. She felt as though she were getting to know them yet more deeply through our stories and their shared history.
The depth of her sense of them, her respect and warmth and admiration radiated as she spoke at my father’s memorial.
That was nine years ago.
It’s been almost a decade since my father died, and as long since I’ve been back to New Jersey.
I’ve not seen Emilie since.
And I might have thought this story of our acquaintance would have ended there.
But in the decade since, Emilie’s and my friendship has only deepened.
What I’ve found is that each year when I send my annual springtime card, when I address one to Emilie, I feel as though in a way I’m also sending it to my parents. It’s as though she’s a gatekeeper to my parents’ spirit.
Maybe I think of her a little bit as an angel guarding their memory.
Months will pass without a word from each other. And then spring will come round again and we’ll share warm salutations. It might be just a quick “Hello,” or it might sometimes be a more detailed exchange, as when she sought ideas for ways to nurture in her family a love of the outdoors as my parents had done. Always our exchanges have radiated warmth.
And now….

It’s spring again.
Only this spring is unlike any spring any of us has ever known.
There are deep, dark shadows across the country, across the world, as pandemic fans through families and communities. People are fighting for their lives. Others are fighting to keep them alive. Others are losing their jobs, their security, their known world. And all the world is mourning. All the world seems gripped in anxiety, in uncertainty.
I am one of the fortunate ones: Secure, in good health, well-nourished and comfortably housed, my few needs are met and likely will continue to be. Though worry for others weighs on me, one of the most pressing questions that arises for me is: How to help? How, from the walls of home isolation, can I offer calm and comfort? Beyond financial contributions and donating goods, how can I possibly help make things better?
It turns out that one way lay in my work — in my art. And in one instance at least, via an extraordinary opportunity to help my friend who years ago helped me.
For as with countless churches throughout the world, in an effort to keep the congregation safe and healthy, the Summit Unitarian church has had to move their services online. That means filling an hour each Sunday morning with thoughtful, inspiring, relevant words and song.
And images.
A few weeks ago, Emilie, who receives my weekly Tuesday Dawnings messages of uplift, asked if I might allow her to include some of my recent watercolors in their next online service. For she admitted one of their challenges is coming up with enough images to share during their online services.
Images, you say?
I took a quick look on my computer: I have over 30,000 images:

If there’s one thing I could provide her community, it’s images.
That following Sunday morning I turned on my computer and logged into a YouTube channel. And there in my kitchen, as I drew a match and lighted a candle, I joined in fellowship across hundreds of miles a community in Northern New Jersey.
As I watched and listened and was moved by that service, I saw my lovely friend — my parents’ angel. And I saw creations from my camera and brush.
Little did I know thirteen years ago when I picked up the phone in the hushed corner of my parent’s bedroom, out of death and deepest grief, a new friendship was about to take root.
Little did I know in the darkness of this pandemic that I would be presented with a unique and creative opportunity to help a community.
Little did I know with all those moments of pause and thousands of shutter clicks, that some of the beauty I notice might be part of a special gathering of souls hundreds of miles away.
Little did I know what light would emerge from the shadows.
And little did I know what abundance and beauty could take root and blossom out of loss.

** We had two memorials for my mother, one in New Jersey for us and our friends, and, a few months later a private service for family in Exeter, New Hampshire, in the church where she and my father had been married 53 years earlier. At the family gathering, my uncle Phil payed tribute to my mother with two tunes — Come Sunday, which my subscribers will recognize from this week’s Tuesday Dawnings, followed by Saints.

Candle image by Zae Zhu on Unsplash.

Thank you for being here and reading my musings.
If you enjoy my posts and know others who might enjoy them too, please feel free to share this.
Meanwhile, find more of my stories, insights and art here on my website, www.taosdawn.com, as well as on Instagram and Facebook. Peruse and shop for my art here. And please consider joining me for Tuesday Dawnings, my weekly deep breath of uplift, insight, contemplation & creativity.
Thank you again.
Stay safe.
~ Dawn Chandler
Santa Fe , New Mexico
the importance of a daily creative practice

A few weeks ago, before most of us were aware that our world was going to shift on its axis, I began a new occasional series of “warm up” paintings. I intended these paintings for my eyes only, with no plan of sharing them.
In the past few days I’ve changed my mind about that.
The immensity of despair and heartbreak all around us is overwhelming — especially as most of it is frustratingly beyond our own ability to reduce it. That is, besides being vigilant about staying home, cleaning hands & surfaces, being kind & generous especially to those in need, and minimizing as much as possible the burden on healthcare workers. For myself, beyond these crucial exercises, I feel there’s little I can do to help the situation, except try to stay busy and most of all try to be a calming presence for myself and those with whom I interact.
Maybe its no surprise then that painting helps to calm me and keep the tailspin of despair away.
With that in mind I’ve decided to start sharing these warm-up paintings of mine. My hope is that by sharing these they might cheer some of you, foster curiosity in others, and maybe even inspire yet others of you to begin a daily creative practice of your own. For I think now more than ever it’s important to have daily routines or rituals. With so much uncertainty in the world, having a daily creative practice in place can really help add a reassuring sense structure to your day.

So….
Today I’m sharing the first of my warm-up paintings (above). After today I’ll mainly share these on my FaceBook Dawn Chandler Fine Art page and my TaosDawn Instagram rather than a daily blog post.
Okay, so what are warm-up paintings anyway?
They are an exercise I do before diving in to my “serious” work. Like stretching before a run, warm-up paintings help loosen my artistic muscles, get the creative blood flowing and awaken the Muse. The point with the warm-ups is to be loose and not get hung up on perfection. It’s less about the end-product and more about the joy of pushing around color and making marks.
With my warm-up paintings, anything goes — almost. For I do like to have certain parameters in place with any kind of series I’m doing, so with these warm-ups the parameters are:
— One per day
— 12″ x 12″ watercolor paper (I use Arches 150 Lb cold press watercolor block)
— Painted primarily in watercolor (I use Holbein) although some mixed-media is OK.

— Resist going back and working on previous day’s warm-ups (Going back is allowed, but slightly frowned upon).
Here’s something else though that I this is important about this daily practice: My watercolors aren’t in my studio. Rather, they are right in the middle of the major thoroughfare in my house. Which means I walk by them every single day. Which means I cannot NOT see them. Which means every time I walk by them, it’s an invitation — a reminder, a tease — to paint. Which means there’s absolutely no excuse to not paint regularly! Even if it’s just making one brush stroke on my way to the bathroom, and another brushstroke an hour later on my way to the kitchen to make tea.


As the brilliant James Clear advises in his most-excellent book Atomic Habits: An Easy & Proven Way to Build Good Habits & Break Bad Ones: If you want to start a new habit, Make it easy. If your watercolors are packed away in a closet, you’re never going to paint with them. If you guitar is in its case under your bed, you’re never going to think to play it.
Get your sketchbook, your paints, your musical instrument, get your journal, your notebook, your book you’ve been meaning to read, get your knitting, your stationary and pen and stamps, get your whatever-it-is that you’ve been kind of dreaming of doing but still haven’t begun and put it out front and center where you can’t avoid it.
And then — here’s the other thing: Just do your thing (write, paint, practice your instrument, read your book) for a few minutes at a time. No huge time commitment, just a few minutes.
This is what I’ve been doing with learning to play Native American flute: Five minutes per day. The flute sits on my coffee table beside my favorite chair, and every day I commit to playing it for five minutes. Usually that happens right before bedtime, when it serves as a peaceful form of mediation. Some days I play for five minutes first thing in the morning; other days I pick it up and play it several times throughout the day. Basically any time I sit in that chair I have an invitation to practice my flute.

Same when I walk by my watercolors: I commit to just one brushstroke. And, as you might imagine, often that leads to another brush stroke, and another. But just for a minute or two; then I go on about my other business.
So go get that thing that you’ve been wanting to do and pull in off the shelf or out of the closet or the drawer or the attic or the garage or the basement or the shed or the box and place it front and center.
Make a teeny tiny daily commitment.
Make it easy.
Get started today.

Do it!
Repeat.
And in the process, may you carve out a small bit of serenity and satisfaction.

And thank you for being here and reading my musings.
If you enjoy my posts and know others who might enjoy them too, please feel free to share this.
Find more of my stories, insights and art here on my website, www.taosdawn.com, as well as on Instagram and Facebook. Peruse and shop for my art here. And please consider joining me for Tuesday Dawnings, my weekly deep breath of uplift, insight, contemplation & creativity. Learn more about it here.
Thank you again. Be safe out there.
~ Dawn Chandler
Santa Fe , New Mexico
one tiny enormous comment

From the Goya Foods, Inc. Collection National Museum of American History, Archives Center
I just returned from the grocery store, to buy a jar of tomato sauce and some rice.
The grocery store was out of rice.
And toilet paper.
And countless other items.
I’ve never seen anything like it — whole shelves completely empty.
Where I live (Santa Fe) shortages like these are unheard of.
Though we’re sometimes threatened by fires (blessedly not for a few years [knock-on-wood] ), so far we haven’t had to worry too much about natural disasters like hurricanes that behoove people to stock up on supplies. The only shortages I’ve run into is that occasionally an item might run out during a sale or before a big holiday — like canned pumpkin at Thanksgiving, or ground cinnamon in December. But these are rare occurrences for non-essentials.
Yesterday and today though whole swaths of shelves were empty. And the supermarket was packed — way, way busier than a typical day. More like day-before-holiday packed.
Only this time it was eerily quiet. People weren’t in festive mode, they were in focused mode.
As the other shoppers and I carefully skirted around each other, I was able finally to find the last few remaining packages of pre-cooked ready-to-serve rice, and grabbed a jar of what looked like pretty decent tomato sauce. I then made my way to the back of one of the long lines at the check-out.
I recognized the cashier as a gal who’s been working there for a few years. We haven’t had many encounters and I don’t know her name, but she has always struck me as competent and efficient.
She looked tired. Really tired.
When it was finally my turn to check out, and she and I said the usual customer/cashier salutations, I said to her
Thank you for being here.
She stopped what she was doing, looked up at me, looked me in the eye and said,
Thank you.
She offered me a weary smile and added
I really appreciate that.
For in my few words — Thank you for being here — she heard what I really meant:
I see you.
I see you here working your ass off trying to do your best, as the shelves are emptying like nothing you’ve ever seen before and this line that I’m part of is just getting longer and longer and longer.
I see you here tired and trying to stay upright and upbeat and do your job even though you’d really rather be somewhere else.
I see you here surely worried for loved ones, worried about uncertainty, and trying your damnedest to tamp down your concern and do your job anyway.
I see you.
And I appreciate that you’re here.
As she handed me my change she looked me in the eye again and said,
Thank you again. Be safe out there.
And I knew with her few words she saw me, too.
Thank you for being here.

And thank you for being here and reading my musings.
If you enjoy my posts and know others who might enjoy them too, please feel free to share this.
Find more of my stories, insights and art here on my website, www.taosdawn.com, as well as on Instagram and Facebook. Peruse and shop for my art here. And please consider joining me for Tuesday Dawnings, my weekly deep breath of uplift, insight, contemplation & creativity. Learn more about it here.
Thank you again. Be safe out there.
~ Dawn Chandler
Santa Fe , New Mexico
what do you do after standing in front of that altar….
{ part 2 ~ why my new year began the last monday of january }
So what do you do after standing in a Museum before the altar of a magnificent Monet and you are just bursting with desire to be outside, be in the land, be bathed in color, be one with paintbrush and paper? But here you are, surrounded by people and enclosed walls and pavement and urban clutter and, for the first time in a very long while you are without any art-making accoutrements. (Well, not totally without art-making accoutrements: You’ve simply left you’re travel watercolor kit and large sketchbook back where you’re staying at your brother’s house and GOD, you just really don’t want to take the time to drive all the way across town to retrieve them.)
You are in the midst of what can only be described as an artistic emergency. ACK!
What to do?!
Well first, you dash breathlessly into the museum gift-shop desperately searching for anything with which you can draw or paint COLOR. There among all the Monet merch you purchase or yourself a ridiculous set of amateur colored pencils that are encased, no less, in a snappy decorative tin emblazoned with (quelle surprise!) Monet’s waterlilies.

Then you drive yourself as quickly as you can through the city to the Denver Botanic Gardens, hopeful that, it being late January, you’ll have the brown and grey winter gardens to yourself.
Next you fill your thermos with coffee in the cafe and study the map. Then, with camera in hand, you take a deep breath and set out on an amble curious to see what beauties may reveal themselves to you.
Soon you are crouching among curled dead leaves, brown petals and seed pods.


Eventually you find the perfect secluded bench beside a sun-warmed wall that looks out across a small wave of short-grass prairie to a stand of white birches; music of nearby cascading water muffles the city’s sirens.


Here you pull out your tiny little notebook (gifted to you by a faraway friend along with its perfect hip bag he made for you, his “artist friend”) in which you’d scrawled your museum notes, and you begin to draw.

No matter that your new colored pencils kind of suck and that your notebook’s paper isn’t really dense enough for artwork. You’re just downright happy — thankful! — to be here, doing just this: quietly looking, quietly noticing, quietly drawing, away from the crowds.

After about an hour, you decide to get up and stretch your legs. And you see that over there where the sound of cascading water is coming from, there’s a wall between you and the falling water. Then you notice there’s also a bench beside the wall. You look around to see if anyone is watching, as though you are about to do something mischievous, and assured that you are alone, you step up and stand on the bench and peer over the wall.
And who looks back at you but a Cooper’s Hawk. Beside the water’s edge, her puffed-up grey body blends in with rounded river stones; she’s hidden in a tiny cove at the base of the waterfall, surely as surprised to see you popping up over the wall as you are to see her on the other side of it.

Your brown eyes meet her red.
You feel your whole being smiling.
You take a deep breath of gratitude and whisper: Be safe.
Back on your saunter you go.
A turn here…. a turn there…. noticing all the way….






Two days later you’re back home in Santa Fe.
Despite the excellence of your trip, you are just so excited to be home again, because you are so ready to get to painting in your studio.
And then you get some news that requires you to run an essential errand up to Taos the next day. You have no choice — you have to go the very day after returning home.
And you are cursing the Fates because after a week away you just really really want to spend the day in your studio painting and if you were fifty years younger you’d sure as heck throw a tantrum.
And then your Muse whispers to you The Obvious:
Go — Paint anyway — paint on your way.…


Mostly abstract & playful watercolor musings, some inspired by Monet (center & on the right), others (on the left) inspired by the New Mexico landscape.

Thank you for reading my blog and appreciating my musings!
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Find more of my stories, insights and art here on my website, www.taosdawn.com, as well as on Instagram and Facebook. Peruse and shop for my art here. And please consider joining me for Tuesday Dawnings, my weekly deep breath of uplift, insight, contemplation & creativity. Learn more about it here.
~ Dawn Chandler
Santa Fe , New Mexico